PROGRAM NOTES
In an age in which interpersonal exchanges, whether of words
or of body fluids, are equally dangerous, irony (if nothing else
because it turns people off) seems to be one of the few feasible
approaches left for safe sex. Blind Date with Alter Egos is an
example of what people may REALLY have in mind on a blind date,
beyond the usual formalities.
I realize now that the composition of the piece was influenced
by two musical worlds, which also mirror, incidentally, my own
two worlds (since I am an Italian who lives in New York): the
Italian Opera Buffa and the American Musical. The work could
indeed be described in terms of overture, duet, aria, tutti etc.,
and I suspect that, lasting around six minutes, it is one of
the most condensed "operas" ever written. (Wagner,
I guess, was never much of an influence). It was commissioned
and premiered by The New York Festival of Song, and it is scored
for Soprano, Alto, Tenor, Bass and piano four-hands.
CAST OF CHARACTERS
SUSI (Soprano):
Attractive teen, sure of herself, confident, thoughtful of other's
feelings.
SUSAN (Alto):
Susi's alter ego. Says what Susi wishes she could say, is apparent
only to audience.
HANK (Tenor):
Arrogant, sure of himself, but for no apparent reason.
He is every girl's nightmare of a blind date.
HENRY (Bass): Hank's alter ego. Even worse
than Hank.
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